The Pact
by Misa Tridente / Lacrimi Si Sfinti / Inselberg
vil jeziorach
vil jeziorach
Sounds like the soundtrack to the apocalypse at times in the best way possible. Drenched in existential dread yet defiant in the face of despair.
Hard to pick a favourite track as every one of the three parts is full of highlights. Favorite track: In Béllum.
Hard to pick a favourite track as every one of the three parts is full of highlights. Favorite track: In Béllum.
_veles_
𝔖𝔢𝔯𝔤𝔦𝔬 𝔍𝔦𝔪𝔢𝔫𝔢𝔷
Cryptic Void
noiseisdoom
mattrituals
T. S.
Fourche patibulaire
A_void_Ω
Derniere Cavalerie Direction Cesar
plasmanu
Piotr Raszewski
Sonologyst
The Ultimate Avatar
Furtive Fureur
Léo Fougeray
jean-benoit godefroy
vers-du-silence
Zoé Pflaum
Alpiel
Ruotan
unavena
Caraco
atome
jonjonbisson
Flagrum
cigvvve
commoneiderkingeider
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Compact Disc (CD) + Digital Album— CD audio in a three-part Digibook with matte and cold varnish.
— Analog collages by Cioran Records.
— 5 first pre-order from Spain will received «Filosofía de la redención» by Philipp Mainländer (spanish edition).
— 5 first pre-order from other countries will received «Le crépuscule des pensées» by Emil Cioran (french edition).
First shipments around 10 March
Includes unlimited streaming of The Pact via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 8 daysedition of 111€12 EUR or more
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€9 EUR or more
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Full Digital Discography
Get all 12 Cioran Records releases available on Bandcamp and save 30%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Les couleurs d'une fièvre, The Pact, La Grande Mue de l'Entre-Deux Gaves, Annihilation, Harfangs, Enclave II-II, Le Danger d'Engendrer, Palinodie (Anticinéma), and 4 more.
Purchasable with gift card€61.36 EUR or more (30% OFF)
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about
«Tombés sans recours dans l'énergie négative, dans ce temps éparpillé qui ne s'affirme qu'en s'annulant, essence réduite à une série de destructions, somme d'ambiguïtés, plénitude dont le principe réside dans le néant, nous vivons et nous mourons dans chacun des instants de l'éternel présent, sans savoir quand il est, car à la vérité il n'est jamais.» — E. M. Cioran
«Seuls des hommes froids, sans cœur, ou emprisonnés dans les dogmes, peuvent condamner l’homme qui se donne la mort. C’est un bien pour tous, que notre main puisse doucement nous ouvrir une porte par laquelle, quand la chaleur nous est devenue insupportable dans la salle étouffante de la vie, nous avons le moyen d’entrer dans la nuit tranquille de la mort.» — P. Mainländer
This sound is a black metaphysical monster. This sound is a synthesis of a harange by Napoleon and a murmur by Nietzsche. This sound is a Mephistophelic psalm which would be hard to find the like. This sound is the creator of many species of insects that did not exist until recently, of vermin never seen before, this sound is Beelzebub. This sound is the first light of the Infinite Day, one of the combatants of the distant and approaching army of anthropotheity. This sound is only its Shard. This sound is the absolute Will, scattered by the weakening of the force in the world. This sound is God. This sound is quite dangerous.
No abyss separates these three realms, and if it existed and if we had the power to see only a tiny part of it, the vertigo and terror that its depths would bring us would plunge us forever into madness. and oblivion. At the edge of the void, the land inhabited by Misa Tridente is instead a Hell tempered by Nothingness, and with it history is a passion and its victims are legion. On the other side of the border, Lacrimi si Sfinti cruxifies the Magna Mater there in its fields of emptiness, pouring out on the world anathemas which would only be sublime but neurotic prose, if they did not carry along, these sharp, definitive anathemas, already irrefutable prophecies. And at the end of this world, God is a monster, and his theologians the architects of the torture chambers. Inselberg signs the end of a time and draws the destruction of the universe, revealing the negative of an immaculate purity with contingent forms. Through the idea of sacrifice, he offers here the homily of the frontiers of time, projection of his own demiurgic perditions as the ultimate rhetorician of the absolute and extinction.
May the songs of the nightmare and the night haunt our insomnia, may the whole story, through the science of "will-to-die", be the march of humanity towards nothingness, or may the Bardo Thödol be brocaded with malevolence , immorality or extravagance, these three kingdoms face the unbearable immanence of blood and sap, which binds our will to the unfailing affliction of existence, and offers us another pact, a new approach, new states free from all suffering : that of mineral and nothingness.
Chain DLK (USA) — www.chaindlk.com
«My take on 'The Pact' is that it's a very worthy album for lovers of both dark ambient and noise, with each track given the time to develop a world of its own. The compositions are diverse enough to know you're listiening to three distinctly different artists, and each has something special to offer.»
La Muerta Tenia Unblog (ES) — lamuerteteniaunblog.blogspot.com
«[...] Un triángulo isósceles que contiene en su área la totalidad de la Noche Oscura del Alma. Drone, Ambient e Industrial se dan la mano para tejer orfebrería sonora sobre una sábana funeraria [...]. The PACT es de OBLIGADA ADQUISICIÓN si te gustan estos estilos.»
Darkroom Magazine (IT) — www.darkroom-magazine.it
«[...] ma sono tutti e tre i protagonisti del "patto" ad aver dato, ognuno a proprio modo, un più che valido contributo alla causa di un lavoro che non potrà lasciare indifferenti quegli appassionati di dark ambient ed industrial più propensi a sondare le nuove leve di una scena che, anche grazie al prezioso lavoro della Cioran, vuole andare oltre quei paletti che delimitano i confini dell'ortodossia.»
Ruido Noise Blog (ES) — ruidonoise.blogspot.com
«"The pact" es esa pesadilla que te hace estremecer en sueños, el vértigo que genera asomarse a un abismo o el pavor que provoca no poder respirar tras un golpe en el estómago...»
Pinkushion (FR) — pinkushion.com
«The Pact se donne comme un tout plutôt cohérent, une cérémonie occulte qui célèbre aussi bien le vacarme qui naît du désordre du monde que la quiétude face à sa lente décomposition.»
«Seuls des hommes froids, sans cœur, ou emprisonnés dans les dogmes, peuvent condamner l’homme qui se donne la mort. C’est un bien pour tous, que notre main puisse doucement nous ouvrir une porte par laquelle, quand la chaleur nous est devenue insupportable dans la salle étouffante de la vie, nous avons le moyen d’entrer dans la nuit tranquille de la mort.» — P. Mainländer
This sound is a black metaphysical monster. This sound is a synthesis of a harange by Napoleon and a murmur by Nietzsche. This sound is a Mephistophelic psalm which would be hard to find the like. This sound is the creator of many species of insects that did not exist until recently, of vermin never seen before, this sound is Beelzebub. This sound is the first light of the Infinite Day, one of the combatants of the distant and approaching army of anthropotheity. This sound is only its Shard. This sound is the absolute Will, scattered by the weakening of the force in the world. This sound is God. This sound is quite dangerous.
No abyss separates these three realms, and if it existed and if we had the power to see only a tiny part of it, the vertigo and terror that its depths would bring us would plunge us forever into madness. and oblivion. At the edge of the void, the land inhabited by Misa Tridente is instead a Hell tempered by Nothingness, and with it history is a passion and its victims are legion. On the other side of the border, Lacrimi si Sfinti cruxifies the Magna Mater there in its fields of emptiness, pouring out on the world anathemas which would only be sublime but neurotic prose, if they did not carry along, these sharp, definitive anathemas, already irrefutable prophecies. And at the end of this world, God is a monster, and his theologians the architects of the torture chambers. Inselberg signs the end of a time and draws the destruction of the universe, revealing the negative of an immaculate purity with contingent forms. Through the idea of sacrifice, he offers here the homily of the frontiers of time, projection of his own demiurgic perditions as the ultimate rhetorician of the absolute and extinction.
May the songs of the nightmare and the night haunt our insomnia, may the whole story, through the science of "will-to-die", be the march of humanity towards nothingness, or may the Bardo Thödol be brocaded with malevolence , immorality or extravagance, these three kingdoms face the unbearable immanence of blood and sap, which binds our will to the unfailing affliction of existence, and offers us another pact, a new approach, new states free from all suffering : that of mineral and nothingness.
Chain DLK (USA) — www.chaindlk.com
«My take on 'The Pact' is that it's a very worthy album for lovers of both dark ambient and noise, with each track given the time to develop a world of its own. The compositions are diverse enough to know you're listiening to three distinctly different artists, and each has something special to offer.»
La Muerta Tenia Unblog (ES) — lamuerteteniaunblog.blogspot.com
«[...] Un triángulo isósceles que contiene en su área la totalidad de la Noche Oscura del Alma. Drone, Ambient e Industrial se dan la mano para tejer orfebrería sonora sobre una sábana funeraria [...]. The PACT es de OBLIGADA ADQUISICIÓN si te gustan estos estilos.»
Darkroom Magazine (IT) — www.darkroom-magazine.it
«[...] ma sono tutti e tre i protagonisti del "patto" ad aver dato, ognuno a proprio modo, un più che valido contributo alla causa di un lavoro che non potrà lasciare indifferenti quegli appassionati di dark ambient ed industrial più propensi a sondare le nuove leve di una scena che, anche grazie al prezioso lavoro della Cioran, vuole andare oltre quei paletti che delimitano i confini dell'ortodossia.»
Ruido Noise Blog (ES) — ruidonoise.blogspot.com
«"The pact" es esa pesadilla que te hace estremecer en sueños, el vértigo que genera asomarse a un abismo o el pavor que provoca no poder respirar tras un golpe en el estómago...»
Pinkushion (FR) — pinkushion.com
«The Pact se donne comme un tout plutôt cohérent, une cérémonie occulte qui célèbre aussi bien le vacarme qui naît du désordre du monde que la quiétude face à sa lente décomposition.»
credits
released February 28, 2023
Credits :
I. «In Bélum» by Misa Tridente :
Music : Misa Tridente / Voices: Isabel Sierras and Pau / Translation: JCCN
II. «Miserere» by Lacrimi si Sfinti :
Lacrimi si Sfinti are Miguel Souto and Alejandro Durán.
III. «Sparsum cruórem póstibus vastátor horret Angelus» by Inselberg :
Matthieu Canaguier : guitar, synth, sampler, electronics.
Credits :
I. «In Bélum» by Misa Tridente :
Music : Misa Tridente / Voices: Isabel Sierras and Pau / Translation: JCCN
II. «Miserere» by Lacrimi si Sfinti :
Lacrimi si Sfinti are Miguel Souto and Alejandro Durán.
III. «Sparsum cruórem póstibus vastátor horret Angelus» by Inselberg :
Matthieu Canaguier : guitar, synth, sampler, electronics.
license
all rights reserved
tags
about
Cioran Records France
We condemn.
We declaim the trial.
Neither fatalism nor free will.
We are the plants that appear to
their own demise.
The root is damaged, soon the branches will follow.
Our souls are pure, but become corrupted in their corrupt bodies.
Our days devour us.
The muse gives off its best scent when broken.
We believe that the tree's worst enemy is the seed that comes out of its kidneys.
... more
discography
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Jan 2024 -
Feb 2023 -
Jan 2023 -
Dec 2021 -
Nov 2020 -
Oct 2020 -
Apr 2019 -
Sep 2018 -
Oct 2018 -
Jul 2018 -
Feb 2018 -
Feb 2018
contact / help
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